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The jota of Castile has a more sober, less airy feel to it, while the steps are quicker and sharper than what is seen in the Aragonese version. As the music plays, the dancers dance with hands atop their heads, accompanied at times by castanets. Among the most popular can be found: Jota de San Lorenzo (Huesca), Jota Vieja, Aragón Tierra Bravía, Gigantes y Cabezudos, La Dolores (these two are taken from the zarzuela and opera respectively of the same names), and the danza de la Olivera.Īs noted earlier, the jota of Castile tends to be accompanied by guitars, bandurrias, lutes, dulzaina and drums. Nowadays there exist many modern varieties of the jota which are performed by various folkloric groups. The most pure forms of the jota can still be found in Calanda, Alcañiz, Andorra, Albalate, and Zaragoza. Since the end of the 19th century, heavily choreographed versions have often been made for zarzuelas, movies, contests, festivals, and other entertainments. Due to the complexities of the dance steps and manner of singing, the jota has evolved. It dates as far back as the 18th century, and reached the pinnacle of its splendor in the 19th century.
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The Aragonese jota is the best-known expression of Aragonese folklore. Furthermore, the lyrics tend to be written in eight-syllable quartets, with assonance in the first and third verses.Īragonese jota singer Pedro Nadal, known as El Royo del Rabal ("The Redhead from the Peasant's Quarter"), as painted in 1881 by Carlos Larraz The steps have an appearance not unlike that of the waltz, though in the case of the jota, there is much more variation. In addition to this, the songs also have the effect of helping to generate a sense of local identity and cohesion. The content of the songs is quite diverse, from patriotism to religion to sexual exploits. Theatrical versions are sung and danced with regional costumes and castanets, though such things are not used when dancing the jota in less formal settings. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galicians use bagpipes, drums, and bombos. Ĥ rhythm, although some authors maintain that the 6Ĩ is better adapted to the poetic and choreographic structure. In Valencia, the jota was once danced during interment ceremonies. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. It varies by region, having a characteristic form in Aragon (where it is the most important ), Catalonia, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia. The jota ( Spanish: Valencian: Aragonese: hota or ixota Asturian: xota Galician: xota old Spanish spelling: xota ) is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon.